mininova_the private bay_limetorrents(8)

Which brings us to the second vocal effect, and abit of adeparture from the world of vocoding. Vocal Tune heads off into familiar Auto-Tune territory. It's based around three possible musical processes: Scale Correction, Keyboard Control and Pitch Shift. As Iwas once known for my singing voice (until it broke, horribly), Itested these processes in turn, my appreciation growing with each. Scale correction confines the notes you sing to aspecific scale, including the option 'played', which corresponds to the most recent chord played on the keyboard. Like some demented jazz teacher, the manual advises that "the more notes you add to your chord, the better”, since three-note triads don't give the process very much to work with. If you're looking for drastic special effects, making the process struggle can be agood thing; it certainly increases the number of weird artifacts and glitches, which Irather liked.

The second option, Keyboard Control, re-pitches the input signal as closely as possible to the last note played on the keyboard. If you play achord, the Mininova attempts to find the note that is the nearest match. This is agreat interactive take on automatic tuning, and having experimented with my own voice until the neiours threatened police action, Iswitched to processing some samples (taken from proper singers and so on) via the external input. Triggering samples via Logic, Iwas able to jam along on the Mininova keyboard, reworking melodies until Ifound exactly what Iwas looking for. It was then a matter of recording the keyboard's notes and — hey presto! — the MiniNova was doing its very own Auto-Tune impersonation.

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