mininova_the private bay_limetorrents(6)

I mentioned that deeper editing can be performed: simply press the Menu button and dive in. The pages are logically arranged and even if they're no replacement for apanel full of knobs or an on-screen editor, Iwas able to successfully remove the reverb from the factory patches that way. The biggest hurdle was finding which effect slot, or slots, contained reverb in the first place!

At this stage, I'd suggest reading through the Ultranova review (/sos/feb11/articles/novation-ultranova.htm) for abetter appreciation of this powerful synthesis engine. Up to 18 notes of polyphony, three oscillators and twin filters in avariety of configurations add up to an intimidating amount of synth squeezed into atiny keyboard. There are five effects slots to fill, the only (small) limitation being that only two reverbs and two delays can be used at once. However, this is more than sufficient for amonotimbral synth! There are also twin ring modulators (for those times when just one isn't enough), six envelope generators, three LFOs, and wavetables and digital waveforms to keep the virtual ogue stalwarts company. Ithink it's safe to say that if you relish detailed programming, the Mininova promises many happy hours of tinkering.

The arpeggiator has atempo knob and dedicated buttons for activation and hold (Latch). Iconfess I'm not sure about the value of atempo knob compared to, say, atap tempo button. Tap tempo tends to be easier if you need to match arhythm byear (say, in aband) while if you're sync'ed to an external MIDI clock, the knob's going to sit there looking pretty but untouched. However, when you're not worried about sync'ing to anything else, aknob is the way to go.

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